What do anonymous voices stand for?


I didn’t really know anything about the work of Anonymous and the culture of Hacktivism apart from the odd reference to them in mainstream media until the film, We Are Legions. I found the film (We Are Legions: The story of Hacktivism, 2012) a really interesting insight into their history and campaigns; however I think it highlighted some holes in their ethos firstly in that the lack of specific message in turn results in a conflict of belief. It limits the ability in connecting with a wider audience as it seemed clear to have a very particular white male dominance that established from computer gaming culture. Relating back to the lack of clear beliefs or moral identity, it  reminded me of a quote about London that I cannot seem to find but it discussed that as the city never set out with specific aims, it is malleable over time. This was reminscient of Anonymous in that its organic growth results in a conflict of beliefs or aims due to it’s roots in comedic internet humour on 4Chan. This resulted in some people hacking an epilepsy charity website with animations that caused many people to fall ill and have fits as a result. This clearly contrasts with the positive campaigns they have completed such as that in support of protestors in the middle east uprisings. This conflict in ethos reminds me of a quote I saw on the back of the stage of band Enter Shikari’s set at Reading Festival a few years ago that is from their song, Quelle Surprise. The backdrop said (Enter Shikari, 2010) ‘if you stand for nothing you will fall for anything’; this highlights the flaws in the group Anonymous as they cannot represent themselves strongly enough due to no structure or shared idea within the group.

Enter Shikari. (2010) Reading Festival 2010 set. Performed by Enter Shikari [Reading. 2010].

We Are Legions: The Story of The Hacktivists (2012) Directed by Brian Knappenberger. USA: Ro*co Films International.






The art of protest: Art is your human right by Bob and Roberta Smith

DESIGN ACTIVISM, Uncategorized


I have known the name and vaguely the work of Rob and Roberta Smith for some time but it is the campaign with students to save the closure of the CASS, London Met’s art department, that alerted me further to his work. An ethos revolving around art and creativity being for all is something that permeates his body of work and the project titled, Art is your human right, is no exception to this. Deciding to stand against Michael Gove, Education Minister, in the constituency he represents of Surrey Heath, Smith took direct step in challenging the beliefs he disagreed with in the political sphere. By including himself in this domain with his colourful, joyful aesthetic, it opened up a sense of accessibility to the otherwise elitist world of politics. It is not just a piece of design activism against physical space, Surrey Heath constituency, but the claiming of a otherwise snobbish political place that seems completely unachievable to most.

After facing limitations at secondary school, over the choice of three creative options which resulted in a lengthy battle that I thankfully won, I completely understand Smiths’ desires in his manifesto. Smith (2014) states that ‘It’s almost impossible for kids to study art and music together, let alone dance or drama as well’, which I know all too well the reality of and therefore the need to have artist figures defending the artistic rights of children and teens. A piece of work by fellow British artist, Grayson Perry, highlights the absolutely necessity of Smith’s campaign to protect the arts. The piece by Perry (1996), Mad Kid’s Bedroom Wall Pot, that can be seen below has ‘I was a mad kid and now I ain’t. I got out coz I could paint’ inscribed into it and reveals massively the importance of the support the arts provides.

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Mad Kid’s Bedroom Wall Pot, Grayson Perry, 1996. Photo by Nick Moss.

Smith, R. (2014) Why I’m standing against Michael Gove. Available at: http://bobandrobertasmith.co.uk/why-im-standing-against-michael-gove/(Accessed: 1/02/2016).

Perry, G. (1996) Mad Kid’s Bedroom Wall Pot [Sculpture]. Available at: http://www.craftscouncil.org.uk/articles/mad-kids-bedroom-wall-pot-grayson-perry/ (Accessed: 1/02/2016)

William Morris Gallery (2015) Bob and Roberta Smith: Art is your human right trailer Available at: https://www.youtube.com/watch?v=LH0gG3r2C_c (Accessed: 2/01/2016).

B, James. (2016) Know Your Rights: the campaigns of Bob and Roberta Smith. Available at: http://rs21.org.uk/2016/01/27/know-your-rights-the-campaigns-of-bob-and-roberta-smith/ (Accessed: 2/01/2016).

It’s Nice That (2016) . Available at: http://www.itsnicethat.com/features/bob-and-roberta-smith-art-is-a-human-right. Accessed: 2/01/2016).